![]() ![]() ![]() Heiress, socialite, model, actress, singer and media darling Hilton loves her life, knows how to get what she wants and matter-of-factly explains how anyone can be a glamorous, fun-loving, tiara-wearing heiress just like her. She also shares personal information on her lifelong friendship with sister Nicky fashion shows and favorite designers her famous friends how she likes to travel what modeling is like her highly successful television show The Simple Life and a look at the glamorous life of her teacup chihuahua Tinkerbell-the best dressed dog in the world.įeaturing beautiful, full-color photos of Paris, Confessions of an Heiress is a look at life from the unique perspective of a celebrity who has the whole world at her Jimmy Choo-clad feet. Now, with a sly sense of humor and a big wink at her media image, Paris lets you in for a sneak peek at the life of a real, live heiress/model/actress/singer/it-girl and tells you how anyone can live a fairy-tale life like hers. ![]() Paris Hilton has a lifestyle most girls dream about, but can she help it if she was born rich and beautiful? Now, with her trademark sense of humor, Paris looks back on her rise to fame and reveals the delicious details of her fairy tale life. The New York Times Bestseller, Confessions of an Heiress reveals the fast, fun world of Paris Hilton, packed with enough photos, advice, and inside scoop to help anyone become an heiress and live a life of luxury. ![]()
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![]() ![]() The earlier novel achieves this by contrasting a nineteenth-century ruling couple’s venality and their leadership’s grand pretensions in The Gathering, the probing of national identity occurs through an invocation of the child abuse that has been shown to have been commonplace in post-Independence Ireland, and which, in conjunction with discoveries of other histories of neglect, fractured the country’s self-understanding on the cusp of and during the recent economic boom. Yet, the writerly finesse of The Pleasure of Eliza Lynch is replicated in The Gathering, and, more to the point, The Gathering-like its predecessor-prompts questions about national identity and the effect of its construction. ![]() The emotionally charged contemporary terrain of The Gathering (2007) marks a return to the somber fiction that Anne Enright appeared to leave behind in the cool ironies and historiographic pretensions of The Pleasure of Eliza Lynch (2002), set in nineteenth-century Latin America. ![]() ![]() ![]() And someone will answer for her daughter's murder. Even if it means using her own mother's cruel brand of strength to unearth secrets that don't want to be discovered and face truths it might be better not to know. ![]() Despite the corrupt police force that patrol her dirt-poor town deep in the Missouri Ozarks, Eve is going to find what happened to her daughter. Eve has nothing left but who she used to be. Found next to the body of her best friend in the park of their small, broken town. Her mother, a hard and cruel woman who dragged her up in a rundown trailer park, was not who she wanted to be to her own daughter, Junie. Here, it was just another bad day.' Eve Taggert's life has been spent steadily climbing away from her roots. 'In other places, the murder of two little girls would have blanketed the entire town in horror. ![]() ![]() ![]() Mostly, in today’s society, it is firmly in the public consciousness as a Bad Thing, so you say it and people do lean in the direction of rape and molestation, drugging, slavery, torture. ![]() Calls to mind scenes of brother raping sister. The ultimate sexual taboo, well it or bestiality anyway. While, perhaps, in other eras those questions can carry the same weight as incest, today it’s really unimportant. Should my character be blonde, should they be Asian, should they be Jewish. Taboos aren’t like eye colour, and hair colour. ![]() Still, that aside, it is an intriguing question. Should it be incorporated into a tale? Oh, dear me, I believe I’ve said all I can about an author asking “should”. I was actually participating, not just browsing, today on the NaNoWriMo forums and incest was brought up. And, no, I’m not here to talk about weird board games, either. ![]() ![]() "I like Lucy Stone a lot, and so will readers." -Carolyn Hart "The warm, small-town ambiance and the persevering Lucy Stone make this a winner for cozy fans." - Library Journal "Keeps fans coming back for more." - RT Book Reviews "Clever.a neat little cozy." - Publishers Weekly By Halloween, her suspicions lead her to a deadly web of secrets-and a spine-chilling brush with the things that go bump in the night. But after Lucy learns the murder victim was a magician and close friend of Diana's, she starts to wonder who's really stirring up a cauldron of trouble. ![]() ![]() And when Lucy stumbles upon a dead body near her home, she can't shake the feeling that something sinister is lurking in the crisp October air.Ĭonvinced Diana is an evil witch, prominent businessman Ike Stoughton blames her for a series of recent misfortunes, including Lucy's gruesome discovery and his own wife's death, and rallies the townsfolk against her. But not everyone in town is so enchanted. ![]() Even after Diana gives her a disturbingly accurate reading, Lucy can't help but befriend the newcomer. When the bewitching Diana Ravenscroft comes to quiet Tinker's Cove and opens Solstice, a quaint little shop offering everything from jewelry to psychic readings, Lucy Stone writes her off as eccentric but harmless. ![]() ![]() ![]() ![]() It begins with a photograph of Cave’s father, Colin, a teacher, who, in one uncharacteristic and transformative act, read aloud to his nine-year-old son the opening paragraph of Vladimir Nabokov’s Lolita. It is also a map – messy and impulsive – of a creative life that for a long time was pursued with a ferociously self-destructive intent, and, latterly, with a singular acceptance and grace. ![]() This is the raw (in every sense of the word) material out of which his songs and stories have emerged. Cave calls it the “peripheral stuff”, which is “the secret and unformed property of the artist”, but here on the page it takes on a life of its own, revealing his often compulsive way of working, as well as his abiding interests and obsessions: desire, faith, sin, despair, redemption, grief, love, and the transformative thrust of language itself. ![]() ![]() ![]() After the book appeared in 1994 she was contacted by additional contemporaries of Aimée and Jaguar who offered new material that has been integrated into the present edition. On August 21, 1944, Jaguar was arrested and deported.Īt the age of eighty, Lilly Wust told her story to Erica Fischer, who turned it into a poignant testimony. ![]() When Jaguar admitted to her lover that she was Jewish, this dangerous secret drew the two women even closer to each other. They composed poems and love letters to each other, and wrote their own marriage contract. Aimée (Lilly) and Jaguar (Felice) started forging plans for the future. But then she met the twenty-one-year-old Felice Schragenheim. ![]() Lilly Wust, twenty-nine, married, four children, led a life as did millions of German women. ![]() ![]() As Paul Dukas recounts, ‘Verlaine, Mallarmé, Laforgue brought us new tones, new sounds. In the Paris of the late nineteenth and early twentieth centuries, composers found an atmosphere of artistic ferment, nourished primarily by the literary figures of the circle that met regularly at such places as the Chat Noir. Machaut, Janequin, Couperin, Rameau, Berlioz, Boulez wrote their own texts, employed descriptive titles, or wrote extensively about music. One could speak of the literary character of French music in general. Here again, Debussy looked back on a tradition in his own country: the close relationship between, and mutual influence of, music and words. What distinguishes his cycle significantly from its forerunners is the fact that he chose poetic titles. ![]() Debussy followed this example, yet without linking his design to the idea of twenty-four different keys in any particular order. Bach’s preludes of 17, each of twenty-four, the incentive remains the same with those who followed (Johann Nepomuk Hummel, Chopin, Alkan, Stephen Heller, Busoni, Scriabin, César Cui). ![]() ![]() The number of pieces, twenty-four, picks up a tradition that originated with 18th-century composers’ joy of being able to write pieces on all major and minor keys for the ‘well-tempered clavier.’ From the two volumes of J. ![]() ![]() “A bright, enjoyable story, perfect for the intended teenage audience and anyone else who has passion for coming-of-age stories. “Axelle Lenoir is still a teenager at heart… Camp Spirit is a summer read that makes us relive our first emotions of adolescence with a smile.” - Le Journal de Québec “Perfect light reading for the summer, proving that the classic blend of fantasy and teenage comedy still works!” - BoDoi ![]() ![]() but now shes responsible for a foul-mouthed horde of girls who just might win her over. ![]() She doesnt know the first thing about nature, or sports, or kids for that matter, and isnt especially interested in learning. Inside: tons of humor and a beautiful accuracy in human relationships, but also a veil of mystery that makes us even more eager to read to the end!” - Canal BD With just two months left before college, Elodie is forced by her mother to take a job as a camp counselor. “Axelle Lenoir weaves a sympathetic story around a very endearing heroine. “At first glance, a light and frothy comedy, but little by little it transforms into something wild.” - BDGest She doesn’t know the first thing about nature, or sports, or kids for that matter, and isn’t especially interested in learning but now she’s responsible for a foul-mouthed horde of girls who just might win her over. There’s a lot readers will enjoy about this coming-of-age camp comedy: romance, a dose of paranormal horror, and laugh-out-loud shenanigans." - School Library Journal Summer camp is supposed to be about finding nirvana in a rock garden But Elodie prefers Nirvana and Soundgarden. With just two months left before college, Elodie is forced by her mother to take a job as a camp counselor. "Funny and believable, with wonderful expressions and amusing dialogue. ![]() ![]() I bet if someone explained a Spanish soap opera to me it would turn out a lot like this book. ![]() I feel like at some point someone must have said to her, "This is a whammy bar," and she immediately thought she should compare it to an emotion and put it in her book. Kuehnert has a minimal knowledge of rock music and equipment jargon which becomes painfully obvious whenever she attempts to use them, usually out of context, and anyone who knows what she is attempting to say will be embarrassed. There is a ton of awkward phrasing and attempts to use musical terms as metaphors that all made me really uncomfortable and I had to keep reading. It reads as a checklist of plot points from a made-for-tv movie on the Lifetime network, featuring such obligatory cliches as: rape, miscarriage, abusive boyfriend, (short-lived) drug addiction, abandonment by mother, etc. ![]() The story is about a teenage girl in Nowhereseville, USA, and her dreams of making it big in her pop-punk trio. ![]() Not sure whether to give this the highest or lowest rating because it should get props for being one of the worst things I've ever read, like a literary mix of the movies "Showgirls," "Crossroads" (Britney Spears, not Ralph Macchio), and "Prey for Rock n' Roll" (Gina Gershon in a rock band). ![]() |